A couple of years ago, I viewed an impressive exhibit at the Mathewson-IGT Knowledge Center about a group of artists who lived in Virginia City after World War II and experimented with abstract art.
“Post-War Bohemians in Northern Nevada” showcased 60 pieces, including works from Zoray Andrus, Betty Bliss, Nancy Bowers, Gus Bundy, Robert Cole Caples, Ben Cunningham, Joanne de Longchamps, Robert Hartman, Ruth Hilts, Louis Siegriest, Craig Sheppard, Yolande Sheppard, Adine Stix, Marge Tanner, Richard Guy Walton and Ed Yates.
I was amazed that these artists had found their way, between 1945 and 1965, to this gritty town located in the mountains about 30 miles southeast of Reno. When I think of a respite for artists during those years in the West, Mabel Dodge Luhan and her artist colony in Taos, New Mexico immediately comes to mind. This was where one of my favorite artists, Georgia O’Keeffe, escaped to in 1929 and continued to visit until she finally relocated in 1949 to property outside of Santa Fe.
She might not have been a wealthy heiress as Luhan, but Andrus was the Virginia City hostess. She and her husband converted a brewery into a studio and living quarters around 1935, which became the popular gathering place for artists.
Clark Gable, Marilyn Monroe and Montgomery Clift might have coined the phrase with their 1961 film, but these Virginia City artists were Northern Nevada’s true misfits.
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Reno now has its misfits.
They’re in warehouses on Dickerson Road, at the Generator in Sparks, on both ends of Fourth Street, in Midtown, and spreading like cheatgrass.
Reno Art Works, which is an organization located in one of those Dickerson Road warehouses that provides gallery and studio space for artists, sells a great T-shirt that should be the misfit’s credo: “Keep Reno Awkward.”
I’m not sure where “West of Center” is, but I immediately understand awkward, or my favorite adjective for Reno – quirky.
It’s a city where Hawaiian florals and hipster plaids mingle in the halls while watercolor landscapes and abstracts hang on walls. It’s a city where a theater company decides to showcase new, local works instead of the familiar.
They’re the new misfits – the rebels, the individualists, the mavericks.
These misfits sure do sound like they fit Nevada’s libertarian ethos to me.